Dec 29, 2012

New Adult: Marketing? Age? Accessibility? What makes it different?

I've been talking a lot about new adult via Twitter lately; I did a post a little while back about the lack of differences between it and young adult, especially in terms of terminology. But because of the Twitter conversations, I wanted to clarify some thoughts on it and why I can't fully back it yet, even if I understand why people feel that it needs to exist.

Marketing:
Now, there's no denying that new adult is one more way to market and divide books to appeal to their readers; it's creating a genre that some people think is needed. To an extent, I agree: I'd love to see more contemporaries that are set in a college setting.

However, there comes an issue when paired against or as a continuation of YA books. We've seen new adult described as a 'sexier' young adult, as a way for young adult characters to 'grow up,' and as filling a niche in an age group in terms of high school v. college and the differences in

"New adult is a sexier, steamier young adult!"
I don't understand this rationale, and it's the one I have the most issues with. It's also the most popular description for new adult that I've seen so far, having several articles written about it.

There seems to be a stigma that sex in YA is NEW and CONTROVERSIAL and STEAMY. Young adult literature has always had sex and sexiness in it, be it an awkward blow job scene in Looking for Alaska or the steamy make-out scenes in Vampire Academy. Young adult literature is a good reflection of real life: there are people who make out and have sex, and sometimes it's awkward and sometimes it's not, and sometimes there are consequences and sometimes there aren't.

The articles seem to claim that new adult contains more explicit sex or sexier scenes, and yet they're paired with the same themes and overall content of young adult literature.

This is silly to me - an exploit on the recent Fifty Shades of Grey phenomenon that, surprise!, people have a sex drive. But given that the themes and characters are the same, if slightly older, I don't understand what's going to be found in new adult that couldn't be found in young adult or the adult romance or erotica sections.

"It allows characters a chance to grow up and become adults."
Some people have argued that the new adult genre allows characters to grow up and move into the real world. However, that's the basic plot of any young adult novel: coming to terms with yourself and your place in the world (often referred to as a bildungsroman).

Now, I understand that, in contemporary literature, college students deal with a handful of different issues than high school students. As age groups, young adult encompasses more than contemporary literature; this division doesn't account for fantasy, science-fiction, and historical novels in anything other than strict age-in-years.

Even with the contemporary settings, a lot of the themes are still the same; it's just the setting and age that are slightly different. While new adult acts as a way to market that more specific age group, the overall story seems to settle just as well into the young adult niche, with just as much appeal to teenagers.

"New adult is to satisfy the aging Harry Potter generation."
Of course, there's the final idea that new adult is to act just as a differentiation for people who want to read books LIKE young adult, but aren't ACTUALLY young adult. The same themes and plots and fast-paced nature, but you know, the NAME is different and the characters are OUR age.

I think it's a bit silly, as I have always read up and down the sliding age scale, as have the rest of my friends. We tend to look for themes rather than character ages, and as proven by the above two points, the themes of new adult are the same as the themes of young adult.


Now, as a marketing ploy, this works well for those who are afraid or don't want to read young adult because of its reputation - but because of this, it doesn't supplement the young adult genre; it acts as an alternative and almost puts it down with how its being presented thus far. It's STEAMIER. The characters are more MATURE. It's for people who don't WANT to read young adult.

And as a young adult fan, that worries me; young adult has enough stigma attached to it without having to be further divided and divvied up. What happens to the young adult genre? It could easily get lose, with new adult reaching down to snag the 17 to 19 age range and middle grade snagging the rest, even if neither belong in those sections.

Ages:
Of course, the biggest difference here is the ages. New adult claims to be 20 - 24, or even 18 - 24: the basic college age student. Now, there's already an issue here when the genre isn't contemporary, because there's no strict line between the actions of a 'teenager' and a 'new adult.' But are there other differences?

In contemporary stories, college-age is when real-like people experience what most young adult characters do: the coming of age, the figuring out who you are and what you want and where you belong, and the overall shouldering of responsibility. The situations also extend to both high school and college: first loves, first kisses, first times, first jobs. First aren't exclusive for high school.

College students, particularly the ones I know, tend to identify more with teenagers than they do with adults, even as they're growing up into adults. While new adult might embody the 'college' mentality - again, a mentality that exists solely in a contemporary setting - it's a mentality that appeals to teenagers and college students, and is a mentality that already appears in young adult literature.

Accessibility:
There's a question that I've been wondering: what does the labeling of this do?

Do libraries shelf this with young adult or adult or in a different section entirely? Do you recommend it to younger teens, or will it be something out of reach? Are book banners going to grab onto it and shake it and yell about how they're corrupting our youth?

Because of how it's being marketed so far, especially given the 'steamier' nature, it's going to be harder to get into the hands of teens, even if they're going to want it more. It's going to sell, because that is the nature of good books and shiny new things, but there might be a cost to that selling, one that comes with articles about how 'inappropriate' is is, just like how 'dark' YA was.

And those in the genre will laugh it off because they understand it. But those outside it won't dare try it unless urged by friends. It'll be scandalous. And they certainly wouldn't offer it to their kids. That would be wrong.

Now, of course, this is a hyperbolic description of what could happen to a genre that's just starting out. But I do wonder about how teenagers, and even college students, in ye less liberal states will get a hold of these things. They will somehow, because they always do, but... it's something to think about.

What is new adult?
Or, rather, what could it be?

The genre is fumbling right now to find a place, and the articles about it aren't helping. Nobody knows quite what it is.

C.J. Redwine's comment to Julie on Twitter got it right. New adult has the potential to be aftewards to the coming of age:

Young is coming of age; new adult is crossing the threshold into adulthood.

While the themes are hyper-similar to young adult, if angled right, there's a potential for exploration: long-term commitment and maybe even marriage vs. first loves and steady relationships; responsibility that isn't just forced on you as you grow or to protect the ones you love, but ones that you openly accept to move forward in the world. And yes, they can be a little older. And because of the nature of the relationships, maybe the scenes can be a little steamier.

But it's nothing like it's being described right now, and that's the issue. New adult, as it is now, cannot live with young adult without creating a turfwar and dividing a genre that doesn't need dividing.

I love young adult. If new adult is how C.J. Redwine describes it, and if it's handled right, I could love it too.

But I don't want it to be young-adult-for-those-who-don't-want-to-read-young-adult. And that's how it is now.

Hopefully the marketers will get their hard-hats on and fix it up. (And while you're at it, let's get rid of the stigma that YA sucks, eh?)

13 comments:

  1. This comment has been removed by the author.

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  2. *previously deletion due to typos*

    I've been asking these questions all week as I turned my YA spy/science fiction WIP into NA. Apparently, editors are asking for it and agents are keen to represent it. I've been doing my homework and wasn't pleased by all the 'steamy' covers and erotically charged content I was seeing labelled NA. Where does that leave my genre fiction with main characters in the 20-24 age bracket? Is NA specifically about romance? I'm not sure of the answers but I'm writing my story anyway because I want to and my agent is keen so why not at this point?

    The New Adult moniker seems somewhat superfluous though, why not just leave it as upper YA? I'm 26 and constantly have to remind myself that I'm not 16. I identify more with teens than 40yr olds thus making me more young adult than adult. I wouldn't mind seeing more twenty-something fiction but I'm not sure it needs its own label.

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  3. I agree, there is such a stigma on the YA genre and it is not always portrayed the best. I love YA novels and I will continue to read them. Friends of mine look at me while we go book shopping and I always head straight for the Teen section and I have had some of them comment "aren't those a little young for you?" Now these friends of mine clearly do not understand and have never even bothered to pick up a YA novel as just to how good they really are. There are always going to be people out there who are going to have something to say about everything but I agree, if the marketers can get it right then hopefully the gap won't be too substantial. The publishing industry is ever growing and it is so hard to keep up sometimes.

    Nice Thoughts Nicole.

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  4. My issue is that everyone in YA seems to be denouncing the genre. There are some valid criticisms, yes, but I've seen way too many YA authors and bloggers eyeroll it when there is clearly a demand for this in the readership, a demand that obviously came prior to the publisher/marketing agenda involving NA. These NA books have started in self-publishing ventures, almost all of the popular ones in particular. Publishers are now taking the label into their own hands and twisting it, not really understanding it, but it was in existence before this existed.

    NA was being used to describe books as early as 2009 by some publishers, but I don't think the new stigma took off until post-self-pub-buyout mode, when they realized that these books had a huge audience waiting in the wings.

    And, truthfully, I don't think publishers as a whole are supporting this marketing platform. We're taking one singular instance (S&S and Abby Glines) and applying it to the entire genre, when it's really the only book that we've heard about being made 'sexier' for the NA audience. I can believe S&S would push their authors to do it, but I can't say that I've heard about that same push from other publishers.

    My biggest issue: if we continue to support publishing people trashing the genre with limited knowledge and respect for something that has demand, we lose out on any benefits it has of actually becoming a well-defined genre on its own. That takes time, and it's on its way, but our lashing out without neutral stance makes the bullied YA community a bully in itself.

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  5. Wow I love this analysis. And would love to see this genre.

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  6. Big fat YES to CJ Redwine's tweet.

    Another way to put it: YA is mostly about firsts. First kiss, first love, first adventure, first responsibilities, etc. NA is about turning those FIRST experiences in BEST experiences. Finding a lasting love. Turning a passion into a career. Not just making good friends, but keeping them. Not discovering who you really are, but now shaping it.

    At the end of the day, there are no clear lines/numbers to group life stages into, so all these labels are just rough approximations. But we support stories that offer representation of all of them, and NA right now seems under-supported (just like YA used to be*).

    *YA still has some holes to fill, as you have discussed many a time.

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  7. The more I read and hear about New Adult, the more sure I am that the group most interested in its creation is writers, who are told they can't sell a college-age protagonist as YA and they can't sell a 50-70k novel as adult. Solution? Publishers of YA and adult fiction expanding their boundaries to acknowledge that kids can be interested in things past high school and adults sometimes like the snappy, short pace of YA.

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  8. Oh, gods, you have no idea how much I agree with you in many, many points. Though, since New Adult claims to be more of a state of mind, sexier, more daring even, with themes that rest more in the sexuality & such, it rests more in a Contemporary's lap.

    Also, generalizing, I read much more YA because of the paranormal/sci-fi/supernatural thing. (& don't read much Contemporary, for any age.) & many of the titles I've checked on New Adult don't have it. *shrug* May be because of its newness, but I think that it'd be hard to put together paranormal issues inside a plot that belongs to a genre with personal issues such as coming to adulthood & a career.
    As a college student, I'd find it very... unreal.

    New Adult = short stories about people with steamy issues. That's it.

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  9. For me, YA is pretty much defined as books where the main characters actions are constrained by the significant adults in their lives, be it Anna being sent to live in France or Fern playing second fiddle to pretty much the whole of the family. They have to work through the situation within their constraints.

    I would see NA as being similar, but where the constraints are, well, less constraining. It can't just be about sex, there is sex aplenty in "Lessons From A Dead Girl" and "Jumping Off Swings", which are both definitely YA.

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    1. I find it funny that you say that, because the YA stereotype is that there are no adult or parental constraints. Think of The Outsiders, where there are no mentions of the parents, or The Hunger Games, where Katniss takes on the parental role. YA can do both.

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    2. I agree with you that there are YA books where the adult constraint is non-standard, and in Pearl it is questionable who is the adult figure in the family. Katniss is constrained by her mother's failings, as is Bean. But in the majority of YA fiction the main character is not free to act exactly as they might wish, unlike say "The House Of Silk", read by many young people, but not YA. Holmes and Watson are free to behave as they wish. Paper Towns is a classic example of over-coming adult constraint to achieve to escape.

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  10. One editor I meet recently said that NA is YA only steamier and the characters are 18-25 years old. An agent told one of my friends (who is her client) that one editor described NA as a YA book with soft soft porn. Apparently even editors and agents aren't sure what the "genre" is about. Fortunately the authors do.

    Great post!

    (Some of the people who commented should read NA before they judge. Just like people who put down YA should actually trying reading it first. It's obvious they don't know what they're talking about--in both cases.)

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  11. Corrupting our youth? Is some rebel at 30 can be called a teenager because of behavior and someone else who is 18 is considered to be an adult?

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